1994 Karl Lagerfeld Silk & Net Bias Cut Dress designer-vivienne-westwood Those dots are all raised

Those dots are all raised so you get an amazing textile effect

The cut is simple and fully covers the body to balance out that sheer impact of color

The collar is kept neat and small and the buttons are hidden along the front so if you choose to wear it closed you get one long line that is unbroken

The skirt has an additional attached layer of fine woven silk gauze organza that ends in that lower layer of white ruffles you see peeking out from under the skirt

1994 Karl Lagerfeld Silk & Net Bias Cut Dress designer-vivienne-westwood Those dots are all raisedKarl Lagerfeld often uses his own line as a start point to to explore cuts and fabrics. It also give him an outlet for his love of black that combines softness with an edge. This dress is based on lingerie and has the same feel a couture piece of lingerie would have. The silk satin is like liquid and cut on the bias so it shapes and molds itself tot he body underneath. Silk tulle net is patterned to form a sharp angular design tn the tulle on the