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but there are no tears or holes
which is very appealing
Presenting a large pair of early Jelly and Sweet tins
The Regency period reverse glass paint and foil picture presented in its original ebonised frame depicting Christ riding into Jerusalem inscribed from Matthew 21:8-10 ‘And a very great multitude spread their garments in the way
A Large Mid-18thC Mahogany Corner Cabinet c.1760 sub-Curios but there are no tearsOrigin: English Period: George IIII Provenance: Unknown Date: c. 1760 Width: 38 Height: 92 Depth: 26 (all at extremities) The fine quality solid mahogany carcass of tall proportions, designed to fit into a wall recess with the outer frame flush to the wall, having an architectural cornice to an eight pane leaded domed glass door opening to reveal an acrid green painted interior with central carved shell with four shaped shelves, the lower panelled
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